The prisoner, skeletal and hallowed like he has endured months of
torture, kneels on the ground and hands bound behind his back. His
orange robes hang off him giving the appearance they once fit the man he
used to be. Beside him stand an Islamic state militant, clad in black, a
balaclava covering his face. In his hand a haunting machete. We’ve seen
it all too many times before, we know how this story ends. But still we
watch.
Of course we watch, or listen, the message the videos are exactly as
terrifying as they are meant to be. There is no reason we wouldn’t be
scared and that’s exactly what they want.
In the past journalists have been used as Joe Blow’s window to the
war. Previous military campaigns saw journalists play a vital role in
showing the average white collar worker what was going on in distant
lands where fighting took place. They often strived to bring home news
of triumph and victory. But as the nature of both war and journalism
have changed in recent years and perhaps it is time we reconsider the
role of journalists in conflict.
While most of the wars the world has seen until now were about on the
ground fighting, dropping bombs and governments exchanging threats, the
conflict with the Islamic State is something entirely different. IS are
an extremely tech-savvy organisation that employ strong social media
tactics in almost everything they do from recruitment and propaganda to
executions. It is not uncommon for IS militants to make social media
declarations before, during, or after attacks. It is clear they are
using it as a way to promote fear and exercise power. US security
expert, Brian Jenkins once said that “terrorism is theatre” and this is
exactly what he meant.
Scholars Alex Peter Schmid and Janny de Graaf explained terrorism in
terms of communication. The success or failure of an act of terrorism is
determined by the size of its audience, not the number of casualties.
Using this logic we should think that if the media were to seize
reporting on acts of terror by IS they might just seize to have the
impact and influence they do.
But why then do we continue to feed into this terror cycle? Put
simply, it sells. Of course there are more philosophical reasons about
the public’s right to know and the duty of the journalist. But perhaps
it was time we had the discussion of whether it is worth the toll it is
taking.
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